Cult News

In a strange twist a controversial rabbi known for his music and scandal, lives on through pop bands in New York City that have drawn an ultra-Orthodox Jewish cult-following

The Moshav Band and Soulfarm band members grew up within communities founded by Rabbi Shlomo Carlebach in Israel in the late 70’s. Now they play in Manhattan clubs to head-banging fans often with covered heads reports the New York Times.

Carlebach, an inspiration for the bands, was a pop rabbi with a cult following of his own. His music drew upon traditional Chasidic melodies and themes.

The rabbi died in 1994, but left behind mixed legacies of music and scandal.

Many considered him a musical genius, but he also allegedly had a penchant for sexually harassing women during his long career. Some of those women later spoke out.

Carlebach was quite controversial amongst his Lubavitch brethren for his touchy-feely approach. Such contact between men and women is strictly proscribed among ultra-Orthodox Jewish groups.

And it seems Carlebach did much more than simply hug many of the ladies he met.

But the rabbi’s musical legacy has endured long after his death. Now the NY bands have created a new form of pop fusion music composed of a little bit Grateful Dead, Allman Brothers and Carlebach.

Carlebach would probably be pleased. The constantly touring rabbi wanted to make Chasidic music and thought more accessible. One promoter observed that he “revolutionized Jewish music.”

For the Orthodox Jewish young people that have become the fans of his musical progeny the music is perhaps a “gentle form of rebellion.” But because of its Chasidic themes, attending clubs that stage these bands is apparently permissible.

The net effect is that otherwise largely cloistered ultra-Orthodox youth have found a vehicle to break out of their strictly controlled and insular communities.

Again, Carlebach would probably have liked that. And it is something of a celebration of the positive legacy he left behind.

As for the bands, one member observed that the Chasidic/Carlebach influence apparent in their performances has “gotten us a lot of work.”